If Shakespeare could feel depressed about his writing, then I'm certainly entitled to be depressed about mine. As the poem moves from the octave to the sestet, Frank makes note of the Speaker's "radical movement from despair to alert".
Using line 10 as his example, Frank points out that the Speaker says he simply "thinks" of his beloved while he is alone which leads one to wonder if the said "sweet love" line 13 even knows the Speaker exists.
Bummer for Shakes and Co. The sonnet's complex cascade of mental "states" begins with "disgrace"—a concept we have almost lost in our society. The Speaker first states that heaven is deaf to his "bootless [useless] cries" line 3.
This creates another contrast in the poem. As noted by Bernhard Frank, Sonnet 29 includes two distinct sections with the Speaker explaining his current depressed state of mind in the first octave and then conjuring what appears to be a happier image in the last sestet  Murdo William McRae notes two characteristics of the internal structure of Sonnet 29 he believes distinguish it from any of Shakespeare's other sonnets.
The fact that the opening line has three unstressed syllables and the second and third lines three stressed, reflects the argument put forward by the speaker - namely, there is a stark choice to be made: What makes Sonnet 29 so special?
Now, this is important so listen up: The speaker pleas on behalf of common sense and logic and aims directly for the conscience of the subject - the presumed fair youth - hoping to persuade him to have children and thus preserve his beauty.
Besides, divers of worship have reported, his uprightnes of dealing, which argues his honesty, and his facetious grace in writing, that aprooves his Art. Literary critics usually refer to the young man as "the Fair Youth," and they generally assume that Sonnets are all addressed to him.
Rhyme This sonnet has a rhyme scheme of ababcdcdefefgg with all but one of the rhymes being full: The final few lines, however, are where Paglia differs the most from Frank.
The first time we see the B rhyme and the word "state" at line 2, the speaker is boo-hooing to us about how terrible he feels.
The string of "ands" in the poem—four in the first quatrain, another in the second—drives a surge of relentless self-pity and self-criticism. The track after that is a reading of the Sonnet done by Carrie Fisher. Paglia refers to this section of the poem as a "list of half-imaginary grievances.
Namely, one William Shakespeare from rural Stratford-on-Avon. Greene lets even more insults fly as he continues: Previous Slate Classic Poem discussions have mentioned misremembering phrases of poetry. But the term depressed oversimplifies. What causes the poet's anguish will remain a mystery; as will the answer to whether the sonnets are autobiographical.
Our take here at Shmoop? Haply means by chance, or by accident, or perhaps. Greene was nothing if not thorough: Rhythm and Meaning in Shakespeare: Haply I think on thee, and then my state, a trochee starts the line which reverts back to iambic.
In poetry and popular culture[ edit ] The "turn" at the beginning of the third quatrain occurs when the poet by chance "haply" happens to think upon the young man to whom the poem is addressed, which makes him assume a more optimistic view of his own life. Shakespeare borrowed these classic metaphors - 'he ploughs the brow with furrows' and 'furrows which may plough your body' - from the ancient Roman writers Virgil and Ovid.
The sonnet's first line was the inspiration for the title of John Herbert 's play Fortune and Men's Eyes. Like to the lark at break of day arising whilst lines are regular iambic pentameter: The heaping of stress, the harsh reversal, the rush to a vivid stress — all enforce the angry anti-religious troubled cry.
The first twelve lines rhyme in alternating pairs and the last two lines rhyme. Her critical work includes several books on American poetry and on the Bible.
As Frank explains in his article Shakespeare repeats the word "state" three times throughout the poem with each being a reference to something different.
William Shakespeare William Shakespeare and Sonnet 2 Sonnet 2 is one of seventeen such poems in the so called 'Fair Youth' sequence, the central theme being procreation, the getting of children for beauty's sake, before youth's freshness runs out.
A Guide for Readers and Actors. Why should you care about some dusty old sonnet that was written over years ago by a guy who cranked out at least other sonnets that basically have the same form and structure? The sequence is logical.In this section, you will be reading selected sonnets by William Shakespeare in order to understand their text features.
The text features you will be working with concern the structure of a sonnet and its syntax. Both of these contribute to the sonnet's theme, or central message. Sonnet 29, "When, in disgrace with fortune and men's eyes" by William Shakespeare, is narrated in the first person singular and thus describes the experience of a single person, not of people in.
Read expert analysis on syntax in Sonnet The repetition of “like him” in successive iambs conveys the speaker’s frantic state of comparison. By William Shakespeare About this Poet While William Shakespeare’s reputation is based primarily on his plays, he became famous first as a poet.
When I’m in disgrace with everyone and my luck has deserted me, I sit all alone and cry about the fact that I’m an outcast, and bother God with useless cries, which fall on deaf ears, and look at myself and curse my fate, wishing that I had more to hope for, wishing I had this man’s good looks and that man’s friends, this man’s skills and that man’s opportunities, and totally.
Sonnet 29 by William Shakespeare. Home / Poetry / Sonnet 29 / Analysis / Form and Meter ; Elizabethan Sonnet (a.k.a. Shakespearean Sonnet) For an example, check out line 1: When in disgrace with fortune and men's eyes (Brain Snack: Sonnet is the exception to this rule.Download